I am obsessed with these arbitrary combinations of sounds and letter-shapes that stand for things--—these tools which can be used for the most basic of human survival (help!) and for the most abstract magic of life (shazam!). Words are a shadow of the thing itself—which, when we look and play with them also come to life as things.* In autumn with all the maple leaves falling and their ghost-shadows staining the sidewalks, I cannot resist this mental mantra—two lines from a life-changing poem that play in my head: “For all the history of grief / An empty doorway and a maple leaf.”** As a writer, I get the special privilege to play in the realm of giving a second life to words, which is of course a second life to my own first life.*** I live a life that dwells in the world of words, and I love it.**** For this I am so, so grateful. * “Literature, the best of it, does not aim to be literature. It wants and strives, beyond that artifact part of itself, to be a true part of the composite human record—that is, not words but a reality.” ― Mary Oliver ** Ars Poetica by Archibald MacLeish (poem copied in full, below). My college poetry professor (shout out to Richard Kenney!) had us read this poem—a metaphoric how-to poem within a poem. *** attributed to good old Ms. Natalie Goldberg who famously said that “…writers live twice.” ****Except when I hate it—which I sometimes do. (The mantra in my head when I hate it sounds like a line from Marianne Moore’s poem, “Poetry:” “I too, dislike it: there are things that are important beyond all this fiddle…” https://www.poets.org/poetsorg/poem/poetry Ars Poetica BY ARCHIBALD MACLEISH A poem should be palpable and mute As a globed fruit, Dumb As old medallions to the thumb, Silent as the sleeve-worn stone Of casement ledges where the moss has grown-- A poem should be wordless As the flight of birds. * A poem should be motionless in time As the moon climbs, Leaving, as the moon releases Twig by twig the night-entangled trees, Leaving, as the moon behind the winter leaves, Memory by memory the mind-- A poem should be motionless in time As the moon climbs. * A poem should be equal to: Not true. For all the history of grief An empty doorway and a maple leaf. For love The leaning grasses and two lights above the sea-- A poem should not mean But be.
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